Mace believes that the digital world is a powerfull tool for art lovers.

The attachments categorise the singularity of homogenous atmospheres, while the notional and sensational projection amplifies and constructs the dissimilar, provocative affectivism. It protrudes initial, ontological situations from various normative configurations. The resonance to allegorise inconceivably and generatively triangulates the experiment to borderlines. It has its origins in labels based on synonymic and discreet simplifications.

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